displayed at once the violent free?trader and propagandist of liberty。 i thought that the enemy of this unity was abstraction; meaning by abstraction not the distinction but the isolation of occupation; or class or faculty??
call down the hawk from the air let him be hooded; or caged; till the yellow eye has grown mild; for larder and spit are bare; the old cook enraged; the scullion gone wild。
i knew no mediaeval cathedral; and westminster; being a part of abhorred london; did not interest me; but i thought constantly of homer and dante and the tombs of mausolus and artemisa; the great figures of king and queen and the lesser figures of greek and amazon; centaur and greek。 i thought that all art should be a centaur finding in the popular lore its back and its strong legs。 i got great pleasure too from remembering that homer was sung; and from that tale of dante hearing a mon man sing some stanza from the divine edy; and from don quixotes meeting with some mon man that sang ariosto。 morris had never seemed to care for any poet later than chaucer; and though i preferred shakespeare to chaucer i begrudged my own preference。 had not europe shared one mind and heart; until both mind and heart began to break into fragments a little before shakespeares birth? music and verse began to fall apart when chaucer robbed verse of its speed that he might give it greater meditation; though for another generation or so minstrels were to sing his long elaborated troilus and cressida; painting parted from religion in the later renaissance that it might study effects of tangibility undisturbed; while; that it might characterise; where it had once personified; it renounced; in our own age; all that inherited subject matter which we have named poetry。 presently i was indeed to number character itself among the abstractions; encouraged by congreves saying that passions are too powerful in the fair sex to let humour; or as we say character; have its course。 nor have we fared better under the mon daylight; for pure reason has notoriously made but light of practical reason; and has been made but light of in its turn; from that morning when descartes discovered that he could think better in his bed than out of it; nor needed i original thought to discover; being so late of the school of morris; that machinery had not separated from handicraft wholly for the worlds good; nor to notice that the distinction of classes had bee their isolation。 if the london merchants of our day peted together in writing lyrics they would not; like the tudor merchants; dance in the open street before the house of the victor; nor do the great ladies of london finish their balls on the pavement before their doors as did the great venetian ladies even in the eighteenth century; conscious of an all enfolding sympathy。 doubtless because fragments broke into even smaller fragments we saw one another in a light of bitter edy; and in the arts; where now one technical element reigned and now another; generation hated generation; and acplished beauty was snatched away when it had most engaged our affections。 one thing i did not foresee; not having the courage of my own thought??the growing murderousness of the world。
turning and turning in the widening gyre the falcon cannot hear the falconer; things fall apart; the centre cannot hold; mere anarchy is loosed upon the world; the blood?dimmed tide is loosed; and everywhere the ceremony of innocence is drowned; the best lack all conviction; while the worst are full of passionate intensity。
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Four YearsXXI
…。网
the huxley; tyndall; carolus duran; bastien?lepage coven asserted that an artist or a poet must paint or write in the style of his own day; and this with the fairy queen; and lyrical ballads; and blakes early poems in its ears; and plain to the eyes; in book or gallery; those great masterpieces of later egypt; founded upon that work of the ancient kingdom already further in time from later egypt than later egypt is from us。 i knew that i could choose my style where i pleased; that no man can deny to the human mind any power; that power once achieved; and yet i did not wish to recover the first simplicity。 if i must be but a shepherd building his hut among the ruins of some fallen city; i might take porphyry or shaped marble; if it lay ready to my hand; instead of the baked clay of the first builders。 if chaucers personages had disengaged themselves from chaucers crowd; forgotten their mon goal and shrine; and after sundry magnifications bee; each in his turn; the centre of some elizabethan play; and a few years later split into their elements; and so given birth to romantic poetry; i need not reverse the cinematograph。 i could take those separated elements; all that abstract love and melancholy; and give them a symbolical or mythological coherence。 not chaucers rough?tongued riders; but some procession of the gods! a pilgrimage no more but perhaps a shrine! might i not; with health and good luck to aid me; create some new prometheus unbound; patrick or columbcille; oisin or fion; in prometheuss stead; and; instead of caucasus; croagh?patrick or ben bulben? have not all races had their first unity from a polytheism that marries them to rock and hill? we had in ireland imaginative stories; which the uneducated classes knew and even sang; and might we not make those stories current among the educated classes; re?discovering for the works sake what i have called the applied arts of literature; the association of literature; that is; with music; speech and dance; and at last; it might be; so deepen the political passion of the nation that all; artist and poet; craftsman and day labourer would accept a mon design? perhaps even these images; once created and associated with river and mountain; might move of themselves; and with some powerful even turbulent life; like those painted horses that trampled the rice fields of japan。
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Four YearsXXII
小说
i used to tell the few friends to whom i could speak these secret thoughts that i would make the attempt in ireland but fail; for our civilisation; its elements multiplying by divisions like certain low forms of life; was all powerful; but in realit
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